This is the story of how we came to create an improbable, unconventional, cross-platform documentary art project, Side by Side: Out of a South Korean Orphanage and Into the World.
By Glenn Morey (AKA Kim Kang), filmmaker
Is a film always a film? Should any work of art be limited in its audience potential to a single venue? Should the selection of one medium rule out all others? Could a strong idea get even better, when allowed to explore a multiplicity of forms?
Read the full article here.